477 bars of 4/4 at a walking 90 BPM, 20:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 192, 194-196 and 198-199, and 3 more places -- 6.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 46 times: bars 12, 23, 24, 25, 26, 27 and 40 more.
17 more fills are written out on the fills page.
477 bars across 49 sections: 209 keep time, 47 are fills, 88 are stops and 102 are silent. The longest unbroken stretch of time is bars 63-75.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
477 bars, about 20:57 at the written tempo. The course breaks it into 122 exercises over 31 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 46 times: bars 12, 23, 24, 25, 26, 27 and 40 more.