86 bars of 4/4 at a walking 86 BPM, 4:00 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23, 25 and 27, and 8 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 9 times: bars 6, 18, 30, 38, 46, 62 and 3 more.
2 more fills are written out on the fills page.
86 bars across 10 sections: 59 keep time, 11 are fills and 2 are silent. The longest unbroken stretch of time is bars 52-61.
86 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
86 bars, about 4:00 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 9 times: bars 6, 18, 30, 38, 46, 62 and 3 more.