121 bars of 4/4 at 128 BPM, about 3:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 9-10, and 22 more places -- 30.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 21 times: bars 48, 61, 63, 67, 71, 73 and 15 more.
4 more fills are written out on the fills page.
121 bars across 13 sections: 81 keep time, 21 are fills and 4 are silent. The longest unbroken stretch of time is bars 5-24.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is how much of it falls off the beat. The beat itself is 58 out of 100; the rest of the number is everything around it.
121 bars, about 3:45 at the written tempo. The course breaks it into 42 exercises over 15 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 21 times: bars 48, 61, 63, 67, 71, 73 and 15 more.