52 bars at 180 BPM -- fast, and 1:22 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3-4, 6 and 9-10, and 1 more place -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 7 times: bars 1, 4, 5, 10, 11, 21 and 1 more.
1 more fill is written out on the fills page.
52 bars across 9 sections: 29 keep time, 7 are fills, 1 is a stop and 11 are silent. The longest unbroken stretch of time is bars 15-20.
180 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 79 out of 100; the rest of the number is everything around it.
52 bars, about 1:22 at the written tempo. The course breaks it into 24 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 1, 4, 5, 10, 11, 21 and 1 more.