63 bars of 4/4 at a walking 92 BPM, 2:43 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-16, 19 and 23, and 2 more places -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 17 times: bars 9, 21, 25, 33, 38, 39 and 11 more.
2 more fills are written out on the fills page.
63 bars across 9 sections: 30 keep time, 17 are fills, 1 is a stop and 11 are silent. The longest unbroken stretch of time is bars 10-16.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
63 bars, about 2:43 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 17 times: bars 9, 21, 25, 33, 38, 39 and 11 more.