83 bars at 195 BPM -- fast, and 1:42 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-16, 26-32 and 34-38 -- 27.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 8 times: bars 9, 47, 54, 60, 62, 63 and 2 more.
3 more fills are written out on the fills page.
83 bars across 10 sections: 48 keep time, 8 are fills, 10 are stops and 13 are silent. The longest unbroken stretch of time is bars 26-38.
195 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
83 bars, about 1:42 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 8 times: bars 9, 47, 54, 60, 62, 63 and 2 more.