119 bars of 4/4 at 131 BPM, about 3:39 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14-21, 41-48 and 83-85, and 2 more places -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 97, 105 and 113.
119 bars across 14 sections: 95 keep time, 3 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 69-81.
131 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
119 bars, about 3:39 at the written tempo. The course breaks it into 38 exercises over 15 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 97, 105 and 113.