95 bars of 4/4 at a walking 95 BPM, 3:59 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 31-38, 50 and 64-70 -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 16 times: bars 43, 47, 49, 51, 54, 55 and 10 more.
4 more fills are written out on the fills page.
95 bars across 15 sections: 54 keep time, 16 are fills, 1 is a stop and 16 are silent. The longest unbroken stretch of time is bars 13-20.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
95 bars, about 3:59 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 43, 47, 49, 51, 54, 55 and 10 more.