111 bars of 4/4 at 125 BPM, about 3:25 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 29-30, 33 and 35, and 4 more places -- 12.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 21 times: bars 6, 10, 15, 17, 20, 24 and 15 more.
12 more fills are written out on the fills page.
111 bars across 14 sections: 70 keep time, 21 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 29-35.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
111 bars, about 3:25 at the written tempo. The course breaks it into 53 exercises over 17 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 21 times: bars 6, 10, 15, 17, 20, 24 and 15 more.