139 bars at 170 BPM -- fast, and 3:15 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-3, 10-11 and 18-19, and 4 more places -- 10.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 23 times: bars 3, 7, 9, 11, 15, 17 and 17 more.
3 more fills are written out on the fills page.
139 bars across 12 sections: 68 keep time, 23 are fills, 36 are stops and 1 is silent. The longest unbroken stretch of time is bars 59-67.
170 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
139 bars, about 3:15 at the written tempo. The course breaks it into 50 exercises over 16 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 23 times: bars 3, 7, 9, 11, 15, 17 and 17 more.