100 bars of 4/4 at a walking 82 BPM, 4:53 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11-12 and 14, and 15 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 20 times: bars 8, 20, 24, 26, 30, 34 and 14 more.
9 more fills are written out on the fills page.
100 bars across 10 sections: 55 keep time, 20 are fills, 13 are stops and 2 are silent. The longest unbroken stretch of time is bars 89-100.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
100 bars, about 4:53 at the written tempo. The course breaks it into 34 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 20 times: bars 8, 20, 24, 26, 30, 34 and 14 more.