130 bars of 4/4 at a walking 108 BPM, 4:46 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 30-32, 34-36 and 62-64, and 1 more place -- 9.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 53 times: bars 2, 3, 4, 5, 6, 8 and 47 more.
19 more fills are written out on the fills page.
130 bars across 12 sections: 55 keep time, 53 are fills, 4 are stops and 6 are silent. The longest unbroken stretch of time is bars 114-120.
108 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
130 bars, about 4:46 at the written tempo. The course breaks it into 58 exercises over 21 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 53 times: bars 2, 3, 4, 5, 6, 8 and 47 more.