160 bars at 200 BPM -- fast, and 3:12 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 21-23, and 23 more places -- 28.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 25 times: bars 4, 8, 20, 24, 28, 36 and 19 more.
6 more fills are written out on the fills page.
160 bars across 16 sections: 103 keep time, 25 are fills, 15 are stops and 3 are silent. The longest unbroken stretch of time is bars 88-105.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
160 bars, about 3:12 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 25 times: bars 4, 8, 20, 24, 28, 36 and 19 more.