80 bars at 280 BPM -- fast, and 1:09 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18-23 and 26-31 -- 21.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 2, 16, 17, 25, 33, 47 and 1 more.
1 more fill is written out on the fills page.
80 bars across 14 sections: 36 keep time, 8 are fills, 8 are stops and 25 are silent. The longest unbroken stretch of time is bars 19-24.
280 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
87 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 100 out of 100; the rest of the number is everything around it.
80 bars, about 1:09 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 2, 16, 17, 25, 33, 47 and 1 more.