70 bars of 4/4 at a walking 90 BPM, 3:02 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-8, 10 and 23-25 -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 6 times: bars 11, 26, 30, 33, 34 and 42.
1 more fill is written out on the fills page.
70 bars across 10 sections: 43 keep time, 6 are fills, 5 are stops and 8 are silent. The longest unbroken stretch of time is bars 2-10.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 35 out of 100; the rest of the number is everything around it.
70 bars, about 3:02 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 11, 26, 30, 33, 34 and 42.