110 bars of 4/4 at a walking 94 BPM, 4:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-16, 32-34 and 36-38, and 8 more places -- 31.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 15 times: bars 20, 27, 31, 35, 47, 51 and 9 more.
1 more fill is written out on the fills page.
110 bars across 14 sections: 75 keep time, 15 are fills and 4 are silent. The longest unbroken stretch of time is bars 75-85.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
110 bars, about 4:41 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 15 times: bars 20, 27, 31, 35, 47, 51 and 9 more.