108 bars of 4/4 at 125 BPM, about 3:27 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-24, 41 and 44-45, and 8 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 13 times: bars 7, 8, 25, 27, 29, 39 and 7 more.
3 more fills are written out on the fills page.
108 bars across 11 sections: 79 keep time, 13 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 57-70.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
108 bars, about 3:27 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 7, 8, 25, 27, 29, 39 and 7 more.