123 bars of 4/4 at 150 BPM, about 3:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-24, 39-40 and 99-105, and 2 more places -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 24 times: bars 8, 10, 13, 14, 15, 16 and 18 more.
14 more fills are written out on the fills page.
123 bars across 12 sections: 56 keep time, 24 are fills, 18 are stops and 15 are silent. The longest unbroken stretch of time is bars 68-74.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
123 bars, about 3:17 at the written tempo. The course breaks it into 53 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 24 times: bars 8, 10, 13, 14, 15, 16 and 18 more.