122 bars of 4/4 at 150 BPM, about 3:15 of playing, on crash, hi-hat, snare, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 11-17, 19-25 and 67-73 -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 14 times: bars 26, 30, 38, 82, 86, 87 and 8 more.
2 more fills are written out on the fills page.
122 bars across 12 sections: 95 keep time, 14 are fills and 1 is silent. The longest unbroken stretch of time is bars 11-25.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
122 bars, about 3:15 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
6 fills to learn, played 14 times: bars 26, 30, 38, 82, 86, 87 and 8 more.