80 bars of 4/4 at 135 BPM, about 2:21 of playing, on crash, snare and kick.
The beat the song is built on is a 2-bar phrase, played through bars 19-26 and 64-71 -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 4, 8, 29, 33, 35, 47 and 4 more.
1 more fill is written out on the fills page.
84 bars across 18 sections: 42 keep time, 10 are fills, 18 are stops and 9 are silent. The longest unbroken stretch of time is bars 18-26.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
80 bars, about 2:21 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 26 minutes each.
crash, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.
5 fills to learn, played 10 times: bars 4, 8, 29, 33, 35, 47 and 4 more.