95 bars of 4/4 at a walking 96 BPM, 3:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-25, 27-29 and 41-43, and 3 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 15 times: bars 26, 44, 48, 52, 55, 56 and 9 more.
4 more fills are written out on the fills page.
95 bars across 12 sections: 48 keep time, 15 are fills, 9 are stops and 15 are silent. The longest unbroken stretch of time is bars 14-21.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
95 bars, about 3:54 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 26, 44, 48, 52, 55, 56 and 9 more.