108 bars at 180 BPM -- fast, and 2:24 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14, 16-17 and 20-27, and 3 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 8, 12, 28, 32, 36, 56 and 5 more.
1 more fill is written out on the fills page.
108 bars across 10 sections: 54 keep time, 11 are fills, 30 are stops and 6 are silent. The longest unbroken stretch of time is bars 14-27.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
108 bars, about 2:24 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 8, 12, 28, 32, 36, 56 and 5 more.