105 bars of 4/4 at a walking 86 BPM, 3:59 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 69, 71 and 75-82, and 3 more places -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 8 times: bars 12, 24, 32, 33, 34, 46 and 2 more.
2 more fills are written out on the fills page.
105 bars across 13 sections: 63 keep time, 8 are fills, 9 are stops and 16 are silent. The longest unbroken stretch of time is bars 68-82.
86 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 8 out of 100; the rest of the number is everything around it.
105 bars, about 3:59 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 12, 24, 32, 33, 34, 46 and 2 more.