113 bars of 4/4 at 123 BPM, about 3:40 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 25-27, 29-31 and 33-35, and 6 more places -- 26% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 21 times: bars 28, 32, 36, 54, 55, 56 and 15 more.
3 more fills are written out on the fills page.
113 bars across 15 sections: 62 keep time, 21 are fills, 7 are stops and 9 are silent. The longest unbroken stretch of time is bars 5-15.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
113 bars, about 3:40 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 21 times: bars 28, 32, 36, 54, 55, 56 and 15 more.