121 bars of 4/4 at 154 BPM, about 3:09 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-24 and 41-56 -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 6 times: bars 90, 92, 94, 96, 98 and 100.
1 more fill is written out on the fills page.
121 bars across 7 sections: 101 keep time, 6 are fills and 5 are stops. The longest unbroken stretch of time is bars 69-89.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
121 bars, about 3:09 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 90, 92, 94, 96, 98 and 100.