79 bars of 4/4 at a walking 103 BPM, 3:05 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-6, 19-21 and 23-25, and 1 more place -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 33 times: bars 7, 8, 9, 10, 12, 14 and 27 more.
7 more fills are written out on the fills page.
79 bars across 6 sections: 33 keep time, 33 are fills and 7 are stops. The longest unbroken stretch of time is bars 1-6.
103 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
79 bars, about 3:05 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 33 times: bars 7, 8, 9, 10, 12, 14 and 27 more.