115 bars of 4/4 at 120 BPM, about 3:50 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 8 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 20 times: bars 10, 12, 14, 16, 28, 32 and 14 more.
5 more fills are written out on the fills page.
115 bars across 12 sections: 69 keep time, 20 are fills, 9 are stops and 3 are silent. The longest unbroken stretch of time is bars 33-47.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
115 bars, about 3:50 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 20 times: bars 10, 12, 14, 16, 28, 32 and 14 more.