125 bars of 4/4 at 148 BPM, about 3:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-34, 37 and 41, and 10 more places -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 18 times: bars 29, 30, 31, 32, 35, 36 and 12 more.
5 more fills are written out on the fills page.
125 bars across 11 sections: 81 keep time, 19 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 1-16.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
125 bars, about 3:23 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 29, 30, 31, 32, 35, 36 and 12 more.