79 bars, 7:16, at 44 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 6-7, 10-11 and 14, and 2 more places -- 10.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 26 times: bars 1, 2, 3, 17, 18, 19 and 20 more.
8 more fills are written out on the fills page.
79 bars across 5 sections: 47 keep time, 26 are fills and 1 is silent. The longest unbroken stretch of time is bars 4-11.
44 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
63 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 33 out of 100; the rest of the number is everything around it.
79 bars, about 7:16 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 26 times: bars 1, 2, 3, 17, 18, 19 and 20 more.