83 bars, 4:56, at 68 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 2-13, 16-19 and 21-24, and 1 more place -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 10 times: bars 42, 43, 44, 45, 49, 53 and 4 more.
2 more fills are written out on the fills page.
83 bars across 7 sections: 63 keep time, 10 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 2-27.
68 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
71 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 40 out of 100; the rest of the number is everything around it.
83 bars, about 4:56 at the written tempo. The course breaks it into 30 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 42, 43, 44, 45, 49, 53 and 4 more.