145 bars at 190 BPM -- fast, and 3:15 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 72, 76 and 80, and 4 more places -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 32 times: bars 6, 8, 10, 11, 12, 16 and 26 more.
17 more fills are written out on the fills page.
145 bars across 14 sections: 79 keep time, 32 are fills, 4 are stops and 9 are silent. The longest unbroken stretch of time is bars 74-80.
190 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
145 bars, about 3:15 at the written tempo. The course breaks it into 65 exercises over 22 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 32 times: bars 6, 8, 10, 11, 12, 16 and 26 more.