158 bars of 4/4 at 150 BPM, about 4:13 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20, 24 and 28, and 9 more places -- 9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 26 times: bars 25, 33, 37, 41, 49, 53 and 20 more.
8 more fills are written out on the fills page.
158 bars across 12 sections: 41 keep time, 26 are fills, 58 are stops and 25 are silent. The longest unbroken stretch of time is bars 93-99.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
158 bars, about 4:13 at the written tempo. The course breaks it into 42 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 26 times: bars 25, 33, 37, 41, 49, 53 and 20 more.