125 bars of 4/4 at 154 BPM, about 3:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-9, 13-18 and 21-26, and 6 more places -- 33.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 17 times: bars 10, 11, 19, 31, 36, 37 and 11 more.
3 more fills are written out on the fills page.
125 bars across 8 sections: 87 keep time, 19 are fills, 10 are stops and 1 is silent. The longest unbroken stretch of time is bars 20-30.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
125 bars, about 3:15 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 10, 11, 19, 31, 36, 37 and 11 more.