164 bars of 4/4 at 122 BPM, about 5:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25, 27 and 29, and 23 more places -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 28 times: bars 32, 36, 40, 58, 64, 68 and 22 more.
8 more fills are written out on the fills page.
164 bars across 15 sections: 90 keep time, 28 are fills, 14 are stops and 19 are silent. The longest unbroken stretch of time is bars 9-24.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
164 bars, about 5:23 at the written tempo. The course breaks it into 45 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 28 times: bars 32, 36, 40, 58, 64, 68 and 22 more.