117 bars of 4/4 at a walking 80 BPM, 5:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17, and 15 more places -- 23.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 45 times: bars 16, 24, 28, 36, 44, 47 and 39 more.
10 more fills are written out on the fills page.
117 bars across 10 sections: 53 keep time, 45 are fills, 1 is a stop and 11 are silent. The longest unbroken stretch of time is bars 9-15.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
117 bars, about 5:51 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 45 times: bars 16, 24, 28, 36, 44, 47 and 39 more.