167 bars at 210 BPM -- fast, and 4:03 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-31 and 53-59 -- 10.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 29 times: bars 4, 5, 6, 7, 8, 12 and 23 more.
6 more fills are written out on the fills page.
167 bars across 21 sections: 74 keep time, 29 are fills, 3 are stops and 38 are silent. The longest unbroken stretch of time is bars 113-127.
210 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
167 bars, about 4:03 at the written tempo. The course breaks it into 49 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 29 times: bars 4, 5, 6, 7, 8, 12 and 23 more.