68 bars of 4/4 at a walking 95 BPM, 2:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14, 16 and 18-24, and 1 more place -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 8 times: bars 43, 44, 45, 49, 53, 57 and 2 more.
68 bars across 8 sections: 44 keep time, 8 are fills, 1 is a stop and 9 are silent. The longest unbroken stretch of time is bars 14-28.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
68 bars, about 2:52 at the written tempo. The course breaks it into 27 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 43, 44, 45, 49, 53, 57 and 2 more.