143 bars of 4/4 at 150 BPM, about 3:49 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 29 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 10 times: bars 26, 27, 28, 62, 63, 64 and 4 more.
143 bars across 6 sections: 91 keep time, 11 are fills, 34 are stops and 1 is silent. The longest unbroken stretch of time is bars 92-107.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
143 bars, about 3:49 at the written tempo. The course breaks it into 37 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 26, 27, 28, 62, 63, 64 and 4 more.