87 bars of 4/4 at a walking 77 BPM, 4:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-25, 27-29 and 43, and 13 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 21 times: bars 14, 18, 22, 34, 38, 42 and 15 more.
4 more fills are written out on the fills page.
87 bars across 10 sections: 56 keep time, 21 are fills and 3 are silent. The longest unbroken stretch of time is bars 3-12.
77 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
87 bars, about 4:31 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 21 times: bars 14, 18, 22, 34, 38, 42 and 15 more.