61 bars of 4/4 at a walking 92 BPM, 2:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 7-9, 19-21 and 31-33, and 1 more place -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 20 times: bars 2, 6, 8, 10, 18, 20 and 14 more.
5 more fills are written out on the fills page.
61 bars across 12 sections: 28 keep time, 20 are fills and 1 is silent. The longest unbroken stretch of time is bars 12-17.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
61 bars, about 2:38 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 20 times: bars 2, 6, 8, 10, 18, 20 and 14 more.