78 bars of 3/4 -- not four -- at 100 BPM, 2:24 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-38, 63 and 65-67 -- 15.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 6 times: bars 8, 32, 58, 68, 76 and 78.
1 more fill is written out on the fills page.
78 bars across 11 sections: 47 keep time, 6 are fills, 1 is a stop and 14 are silent. The longest unbroken stretch of time is bars 1-7.
100 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
78 bars, about 2:24 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 8, 32, 58, 68, 76 and 78.