256 bars, 19:46, at 61 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 78-83, 102 and 118-124, and 10 more places -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 46 times: bars 29, 37, 38, 39, 40, 41 and 40 more.
10 more fills are written out on the fills page.
256 bars across 23 sections: 134 keep time, 46 are fills and 46 are silent. The longest unbroken stretch of time is bars 85-108.
61 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
256 bars, about 19:46 at the written tempo. The course breaks it into 77 exercises over 25 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 46 times: bars 29, 37, 38, 39, 40, 41 and 40 more.