282 bars, 22:24, at 50 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 102-103, 108 and 110, and 13 more places -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 33 times: bars 51, 52, 63, 76, 88, 99 and 27 more.
13 more fills are written out on the fills page.
282 bars across 14 sections: 214 keep time, 33 are fills, 12 are stops and 4 are silent. The longest unbroken stretch of time is bars 177-196.
50 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
282 bars, about 22:24 at the written tempo. The course breaks it into 62 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 33 times: bars 51, 52, 63, 76, 88, 99 and 27 more.