68 bars, 4:32, at 60 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 1-15 and 26-40 -- 50% of every bar the kit plays. Learn that one and most of the song is already under your hands.
8 fills to learn, played 17 times: bars 16, 41, 44, 47, 48, 50 and 11 more.
4 more fills are written out on the fills page.
68 bars across 5 sections: 38 keep time, 17 are fills, 2 are stops and 8 are silent. The longest unbroken stretch of time is bars 1-15.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
68 bars, about 4:32 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 16, 41, 44, 47, 48, 50 and 11 more.