111 bars of 4/4 at 135 BPM, about 3:16 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-11, and 5 more places -- 29.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 6 times: bars 36, 40, 54, 68, 69 and 70.
120 bars across 10 sections: 92 keep time, 6 are fills and 9 are silent. The longest unbroken stretch of time is bars 89-111.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 43 out of 100; the rest of the number is everything around it.
111 bars, about 3:16 at the written tempo. The course breaks it into 35 exercises over 13 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 36, 40, 54, 68, 69 and 70.