60 bars, 3:26, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 24-26, 28 and 32-34, and 1 more place -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 16 times: bars 13, 21, 23, 27, 29, 31 and 10 more.
6 more fills are written out on the fills page.
60 bars across 6 sections: 34 keep time, 16 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 5-12.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
60 bars, about 3:26 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 13, 21, 23, 27, 29, 31 and 10 more.