72 bars of 4/4 at a walking 108 BPM, 2:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 6, 10 and 12-15, and 2 more places -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 21 times: bars 3, 4, 8, 16, 26, 30 and 15 more.
9 more fills are written out on the fills page.
72 bars across 10 sections: 39 keep time, 21 are fills and 3 are silent. The longest unbroken stretch of time is bars 9-15.
108 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
72 bars, about 2:40 at the written tempo. The course breaks it into 39 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 21 times: bars 3, 4, 8, 16, 26, 30 and 15 more.