82 bars of 4/4 at 152 BPM, about 2:05 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14-16, 18-20 and 22-25, and 2 more places -- 25.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 3 times: bars 29, 30 and 38.
82 bars across 10 sections: 51 keep time, 4 are fills, 16 are stops and 1 is silent. The longest unbroken stretch of time is bars 68-81.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
82 bars, about 2:05 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 29, 30 and 38.