100 bars of 4/4 at 130 BPM, about 3:05 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-8, 38-40 and 70-72, and 2 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 15 times: bars 1, 9, 13, 25, 33, 37 and 9 more.
5 more fills are written out on the fills page.
100 bars across 16 sections: 54 keep time, 15 are fills and 14 are stops. The longest unbroken stretch of time is bars 2-8.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
100 bars, about 3:05 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 1, 9, 13, 25, 33, 37 and 9 more.