132 bars of 4/4 at 131 BPM, about 4:01 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-31, 35 and 39, and 13 more places -- 27.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 29 times: bars 20, 22, 23, 24, 34, 38 and 23 more.
7 more fills are written out on the fills page.
132 bars across 9 sections: 80 keep time, 29 are fills and 12 are stops. The longest unbroken stretch of time is bars 1-12.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
132 bars, about 4:01 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 29 times: bars 20, 22, 23, 24, 34, 38 and 23 more.